Creating a moving shot that is made up of disparate elements and looks as though it was taken all at once, with a single camera, is the very core of visual effects compositing. To make the effect look natural, compositors also need a deep understanding of how to match color, light, and phenomena specific to the camera, including grain and depth of field.
Matching requires no special knack; for example, you can learn to effectively match color even if you have trouble seeing color accurately. So join Henry A.K.A #Kiwasonic, as he teaches you how to composite 2D or 3D foreground objects to a background scene with After Effects and seamlessly match light, color, depth of field, and noise, so that every element looks natural.
Contact Us:
Tel: +256 774 189999.
Email: info@prolinefilmacademy.com
Website: www.prolinefilmacademy.com
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